ARTWORKS: Guest artist Laurie Rudling, sketching trees

Laurie Rudling is a guest artist originally selected for the ARTWORKS annual exhibition in September 2020 (cancelled), who will now be exhibiting with Artworks in 2021. Laurie describes himself as ‘landscape artist more absorbed by the graphic qualities of images than the ‘painterly’ or impressionistic.’

With the restrictions of lockdown easing, Laurie has been out and about sketching trees for new series of aquatint etchings.

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I’ve always liked Breckland especially the shelter-belts of old Scots pines. The interplay of branches creating negative shapes against the sky satisfies my enjoyment of the abstract array of spaces and form upon the picture plane.

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So finding my usual summer of art fairs and exhibitions on hold and having finished all decorating and gardening I can stomach I embarked on a sketchbook odyssey around East Wretham.
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These I hope will become a series of two plate colour aquatint etchings; stages of which to be revealed as they appear.

ARTWORKS: Alfie Carpenter connects to Suffolk landscapes in lockdown

In the space of a few months, our world has seemingly shifted and changed from what we know. Projects and exhibitions postponed, most notably for me the exhibition at The Mall Galleries in London as part of the Royal Institute of Painters in Watercolour, for which I had three works selected. However, one thing that remains a steady presence is our surrounding landscapes, and now, more than ever, our green spaces have become even more precious to us.

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There is always tomorrow

Over the last six months I have connected to the Suffolk landscape with a greater depth than ever before. During my daily exercise, I felt compelled to soak up every inch of the outdoors, knowing that I’d have to retreat to the safety of my house after an hour or so. It was in these moments that I created little collage paintings inspired by these mini outings, taking particular influence from the blossoms and blooming flowers which seemed to be compensating for the dreary state of the world by glowing with extra colour.

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Blossom II

The dreamy mid-summer skies and wildflowers also became a focal point in my work – a consequence of lazy evening cycle rides around the fields surrounding my village. Art, as always, became a means of wellbeing, and enabled me to gain a sense of purpose, understanding, and calm in these turbulent times.

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Wheat field, wildflowers II

Great joy was felt when it was announced that Paint Out Norfolk would be taking place in July. I leapt at the chance to have a project to work on, to immerse myself in the beautiful scenery of East Anglia and to work alongside 50 other artists in a safe and enjoyable way.

Over eight days, I took myself around the county, absorbing the landscapes and relishing the opportunity to exhibit the artworks created each day. I visited the Broads, the marshes, the inner city green spaces, the woodlands and the varied and atmospheric coastlines which I love so much. Using my mixed media collage technique, I felt so lucky and privileged to be able to work in these places and I was delighted to win a judges commendation for my piece ‘Summer through the trees’, painted at Wells-next-the-Sea.

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Summer through the trees

The summer started to retreat so quickly and the swallows stopped screeching, but I kept on painting. Working with mixed media collage, I have built up a new collection of landscapes which I will be exhibiting at The Quay Gallery at Snape Maltings from 15 – 21 October 2020. The exhibition, entitled The Tide of all Things, is an exploration into change, growth and the strength of life in flux – the ebb and flow of waters; the currents of the sky; the cyclical lifespan of crops and industrial rural terrain; the rise and fall of day and night, light and dark.

Landscapes have always been precious to me, and this year has reminded me just how valuable they are.

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Orford Quay

The Tide of all Things, Quay Gallery at Snape Maltings, 15 – 21 October 2020

www.alfiecarpenter.com
INSTAGRAM @alfie_creates
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Snape Maltings https://snapemaltings.co.uk/whats-on/type/exhibitions/
Paint Out Norfolk – https://www.paintout.org/gallery/paint-out-norfolk-2020/
Mall Galleries – https://www.mallgalleries.org.uk/whats-on/exhibitions/royal-institute-painters-water-colours-208th-exhibition (The painting ‘Orford Quay‘ is one of the selected pieces)

ARTWORKS: Gillian Crossley-Holland introduces Nicola Coe and Zoe Rubens

Every year for the last twenty years I’ve taken part in the Artworks exhibition at Blackthorpe Barn. We’re not holding an exhibition this year but I can’t help thinking about all the work, all the excitement, all the anxiety, all the camaraderie, all the splendid art, all our wonderful visitors – and all not happening… so very strange.

However, we are all still working and we’ll be showcasing new work from our artists here on the Artworks blog over the next few weeks and on Instagram @artworkseast and Twitter @artworkseast.

To begin, I’d like to welcome the guest artists who were selected for 2020 but will now be exhibiting with us in 2021.

Firstly, two artists, both of whom have exhibited with us for the past few years but now join on a more permanent basis; Nicola Coe, who was voted to full membership, and Zoe Rubens who has become an honorary guest artist.

Nicola says: ‘My work aims to highlight the details of nature that seems so often over looked in this modern age. The collecting of natural finds is key to my visual work and the resulting images come about from the influences of the place where these objects are found.

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Two spoons

These two spoons perfectly illustrate Nicola’s love of found objects and place; the shells (Limpet and Saddle Oyster) and driftwood were found in Porthmeor, Cornwall.

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Thorpe Beach Afternoon

‘Thorpe Beach Afternoon’ celebrates the birds that nest on our coast lines and honours the environmment we share with them. A beautiful and unique artwork made with dried seaweed, grass, recycled fishing net, sand, black sumo ink and liquid gold ink representing a memory of Thorpe Beach near Aldeburgh, July 2020.

Zoe also works with found pieces, though of a slightly different nature, she explains: ‘My sculptures are made from a mixture of ceramics, concrete, ferrous and non-ferrous metals and these can be welded, cast and/or etched. I make sculpture reflecting my interest in the effect of politics and power on individuals and on the world around us. I am interested in emotions, jobs, relationships, trust, survival, joy, love, money, what limits us, and how we limit ourselves.‘€™

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Pandora’s box

I’m a keen fan of both artists’ work, indeed the spoons are my latest purchase and I own a hanging construction of Zoe’s that hangs above my kitchen sink to cheer me as I’m washing up. I also follow both artists on Instagram and have much enjoyed following Zoe’s lockdown project, a garden wall made, as you would imagine, from all sorts and colourful gin bottles, my only regret is that I’m not the neighbour on the other side, enjoying her wonderful wall and the gin!

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Garden wall by Zoe Rubens